Give me this at least

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This.

If I could make a bargain with the universe over what I was allowed to eat without causing an eczema flare-up, I wouldn’t ask for much.

It turns out, if I don’t eat butter I eat a lot less bread, and if I eat a lot less bread I eat a lot less cheese. I miss it, but most of it isn’t a deal breaker. The vast quantities of mature cheddar I used to get through were just gluttony.

It also turns out that the only thing I really miss about milk is the tiny amount I put in a morning cup of tea. I like to drink. Just one. Cup. Of. Tea. Per day. I’m not your typical British person (or teacher) in that respect. I don’t even like it in the afternoon, unless there’s a Fortnum and Mason Dundee cake in the vicinity.

So I will set wheat bread* aside. And I will forego butter. And I will put oat or almond milk on my cereal and peanut butter on my glutard toast.

But if I could have the following, please, universe:

  • Mozzarella (*on pizza, yes, made with wheat flour), no more than once a week;
  • Parmesan (with glutard pasta or in soup);
  • A tiny drizzle of milk in a single mug of tea, once per day.

That’s it. I’ll stir oat cream into my soups and try not to think about cheese on toast, and I’ll drive to Woburn Sands for glutard fish and chips, if I could just have a carbonara occasionally, and a Saturday pizza made with my own hands, and a mug of Yorkshire tea.

Is that too much to ask?

(Eczema is substantially reduced – currently getting by with aloe vera gel and a nightly Benadril.)

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Wonderboom

wonder - 1Concerned as I am about privacy and the abuse of that privacy by companies like Amazon and Google, I was never in the market for a smart speaker. I was of course more interested in the Apple HomePod, but it’s not a product that would fit my particular life.

For example, the idea that you would have a speaker, or a pair of speakers, plugged into the mains in a room that you would listen to music in, is not something that happens round here. If music (or a podcast or the BBC Radio player) is on, it’s because I’m up and about, moving between rooms. I don’t want my speaker to be tethered to a particular spot. I have this anyway: there’s a decent speaker box sitting under the TV I can use for music in the living room (almost never), and I’ve got a pair of great music speakers in the conservatory with a Bluetooth adapter plugged into the back (used more often, but still relatively rarely).

What I most often want is a speaker that can move with me, or can be paired up with another speaker and play simultaneously in two rooms. Multi-room audio is something you can have up at the higher end, but again, something plugged into the mains in one place is not a scenario that would work for me.

So I want my speaker to be portable, truly wireless, and fairly robust. Which is where the UE Wonderboom comes in. I was skeptical that something as small as this could sound good, but it really sounds pretty decent. Whatever artificial means they use to boost the bass works very well for the kind of music I listen to. It doesn’t sound weird or get on your nerves after a while. It’s good for voices, and it’s good for country music and 60s/70s rock and soul.

It sounds great and is loud enough that I’ve rarely had it above 50% volume, and the battery life is very good indeed. In terms of range, you can take your phone quite a considerable distance away without losing the connection. This is ideal for me, for example, at our place in France, where I am frequently preparing food in the kitchen, then walking around to tend the barbecue in the garden.

I got my first one a year or so ago, and it impressed me enough that I wanted to get a second so as to pair them up. Which I now have. Pairing is a simple matter of holding down the central logo button for three seconds, until you hear one of its noises, and then waiting for 10 seconds or so while the speakers pair. The volume is automatically equalised between the two speakers, and you can control it with either speaker or your connected device. And you don’t have to download a special app to achieve any of this. Smart.

Now you can have stereo, which is fine, but the real beauty is in having the “radio on in every room” effect, where I can have one in the kitchen, and one out in the conservatory or the garden. And because it’s Bluetooth and not Airplay, no wifi network is required, which is great in France, because we don’t have wifi there.

Amazon sell a pair of these for £123, but you can buy two separately for about £60 each, and if you monitor the price you can do even better.

This, for me, is the perfect combination of sound quality and convenient portability, and I couldn’t be happier really.

Creams and potions and lotions

6102182sayL._SL1000_When you suffer from eczema, when you suddenly suffer from it in your mid-50s, you encounter a bewildering number of possible causes and cures. Some people, I note, seem to just live with it. My own mother always seemed to have a tube of Betnovate on the go.

But I’ve always been convinced that my own sudden onset eczema has an external cause, such as a food allergy or intolerance. Maybe it’s pollen. Maybe it’s stress (which is still an external cause). Maybe it’s a side effect of medication (most of the ones I take list “rash” as one of the possible side effects). Or maybe it’s gluten, or dairy, or bio washing powder, or simply heat or pressure from sitting or wearing elastic or a belt. Anyway, tracking down an actual cause seems nearly impossible. You’d be here to the end of time, trying to establish one using the scientific method.

Which brings us to the treatments. What you mainly want to do is stop the itch-scratch cycle. The guilty secret of scratching is that it brings a pleasurable relief. And if you scratch till it hurts, your spine releases serotonin, which brings relief, but also stokes the itch-scratch cycle. Strong steroid creams (on prescription) offer relief for several hours at a time (though sometimes take too long to work) and can clear up an eczema patch after two or three days, but in my case, the eczema just moves elsewhere. Most of my time is spent chasing it around my body.

But strong steroid creams are bad, and should only be used for a day or two. Chasing the eczema around means I’m not constantly putting the cream on the same spots, but I still don’t like to use it. Taking antihistamine pills seems to work, too, though they do seem to stop working for me after a few days. I’ve been taking Piriteze: two tablets, staggered over a few hours in the evening, can give me an itch-free night. But such a dose does leave me feeling a bit zonked. One tablet isn’t enough.

Looking for alternatives, you will come across many a web site making extravagant claims for various creams. I’ve tried a lot.

First, and most basic, is Dermol, which you can use as a moisturiser and as a replacement for shower gel. I get this in 500ml bottles on prescription. Used regularly, it can offer relief for a few hours: enough to get you to sleep, perhaps, though nothing stops you from waking up in the middle of the night itching like crazy. Dermol is good for spreading the steroid more thinly, and it absorbs well and is non-sticky.

Something similar is Cetaphil, which I think some people get instead of Dermol. I tried Cetaphil in mousse form, but felt it left my skin feeling slightly tacky.

Bog standard moisturisers like Vaseline Intensive Care can be used, and I’ve tried a Vaseline lotion with added Aloe Vera (and a Garnier equivalent). They’re okay, though no more effective than Dermol. The most pleasant moisturiser to use is Aveeno, especially the one with almond oil. Problem with Aveeno and the other commercial brands, they have too many SKUs, and almost nobody stocks them all. I also tried their after shower mist, which was okay, but didn’t seem to last very long.

But nothing is quite so effective at providing a protective barrier for your skin as actual Vaseline petroleum jelly. Which is nasty and greasy, but lasts a long while and promotes healing.

When itching is at its height, aloe vera gel can be very useful in cooling the skin and relieving the immediate itching sensation. If you then apply another moisturiser on top, you might get relief from itching for a few hours.

I’ve also tried coconut oil, the only real benefit of which seems to be its pleasant smell, if you like that kind of thing. Doesn’t work particularly well as a moisturiser, however, and doesn’t help the eczema.

Finally, I’ve also tried cannabis-based cream, such as Atopicann, which contains hemp oil as well as coconut oil and zinc. No THC, though. It smells a bit like the Mytosil ointment we used to use for nappy rash: not very pleasant.

At the moment, the combination of antihistamine tablets,  aloe vera gel and Atopicann seems to be working to keep the itching at bay. And who knows, maybe giving up gluten and dairy is helping too. But probably not.

 

On giving up everything*

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How does this work, then?

Older readers will remember that I’d been controlling my eczema, reluctantly, by following a gluten-free diet. So well was this going that I started to play fast and loose with the strictness, reasoning that one pizza on a Saturday, made with a properly fermented 48-hour dough, was unlikely to cause more than the mildest of itches.

Even when the dermatology clinic tested my blood for the gluten allergens and reported “inconclusive” results, I stuck to the (almost) elimination diet on the basis that even if the effects were psychological they were no less real for that.

But the eczema made a gradual return, to the point that I asked for a refill of my steroid cream prescription.

At the end of March, I had a small slice of birthday cake on my wife’s birthday, and decided to go back to strict enforcement of the diet. Two and a half months later, and here we are. Still itching. And on a scale of 1-10 when anything below 6 is mild enough to resist scratching that itch, I’ve been 8-10 for weeks on end now, with big patches of eczema on the back of my legs, and my back, anywhere there might be extended periods of pressure. So the back of my thighs, for example: that’s worse when I’ve been sitting down, and the base of my back is bad especially after a car journey of any length. And around the waist band of my underwear, etc.

Went to the doctor (not the clinic, which had discharged me back when the eczema was under control), and he suggested I might try giving up dairy.

Groan.

*Once you remove anything with wheat in it from your diet, and then anything with milk in it, ugh. I now look at those “wheat and dairy free” labels ruefully, when once I used to wonder why the two so frequently went together. I tried, at first, a compromise, and went lactose free for a few weeks. This wasn’t too bad: there’s a pretty wide variety of lactose-free products, and they taste acceptable.

But that didn’t work of course, and so I now embark on the dairy-free part of my life, half-hoping this isn’t going to work. I mean, I like rice, and I’ll eat a bean salad, and I’ll grill some meat and so on. But I fucking hate that watery quinoa gruel, and all those bitty vegan options are just damp leaves. Soya and coconut cheese substitutes are gross.

I think I’ll try till the end of July, see if it works. And if it does, can I have a slice of bread to celebrate?

So, Farewell then, The Americans

Season 6 of The Americans has drawn to a close, with a stunning finale, almost silent in its final half, reminding us that so much of this story was told without dialogue, and with strategically targeted musical nuggets, such as Dire Straits’ “Brothers in Arms” in that last episode. Even, I grudgingly admit, U2’s “With or Without You” which I’d normally run screaming from the house to avoid.

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[Contains spoilers]

I previously wrote about this show just before Season 5, which was an in-between seasons, designed to build inexorably to the climax that would be Season 6. At the end of Season 5, after a disastrous operation, Philip announces that he doesn’t want to do “the work” any more, and Elizabeth agrees to take on new assignments herself, while Philip only works to wind up existing operations.

So it is that Season 6 begins on a tense note, three years later, with an exhausted Elizabeth running on fumes and shutting herself emotionally from her husband, who is trying to make a success of the travel agency front operation—and failing. In other words, not to put too fine a point on it, this man who had really started to want to be an American was failing at being a capitalist. Gorbachev is in office in the USSR, experimenting with openness and reform, and reactionary elements within the KGB are seeking to destroy him. Inevitably, this conflict at the top level of the Soviet Union infects the Jennings’ marriage, building mistrust and resentment.

It was the sound of The Americans, in the end, that haunted me. It probably took me three or four seasons to understand why the soundtrack always sounded so odd. In every scene, interior, exterior, office, home, street corner, there was a lot of background noise. Where there was dialogue, it was clear enough, but there was always a great deal of background hum, as if the volume (or gain) had been turned up on everything. And then I twigged: every scene in The Americans sounds as if it has been recorded using a listening device (or, in the case of outdoor scenes, a shotgun microphone eavesdropping from a distance).

What does one do when something so good reaches an end? I think, probably more than any other show, I might watch it all again.

(Seasons 1-5 are on Amazon Prime video. I assume/hope that Season 6 (episodes currently on the ITV Player in the UK) will end up there in due course.

Childhood Canon

CometmoominlandSometimes you hear a podcast episode and think wistfully how you’d like to have been on it. Recent Incomparable episodes about childhood canon and recent conversations with colleagues about learning to read had me thinking about the media that shaped my tastes. I’m less interested in film and television than I am in books.

I learned to read with Dr Seuss – Green Eggs and Ham, Hop on Pop, and The Cat in the Hat – but at a very early age started the exploration of science fiction that continues to this day. I’m going to credit Tove Jansson with this: Comet in Moominland (1951) was the first Moomin book I read (when I was off school with whooping cough, I think), and although it isn’t scientifically accurate, it would be churlish to hold that against it, given that most science fiction of the time was similarly inaccurate. The description of the approaching comet’s effects on the earth and the crossing of the dried up sea on stilts gave me an early taste of the apocalyptic strand of SF that remains popular to this day.

I moved from the Moomins onto Enid Blyton’s Adventure series and Arthur Ransome, but started to spend more than 50% of my time reading about space and time.

220px-Blast_Off_at_Woomera_front_coverThe first science fiction proper I read would have been Hugh Walters’ series of books that included Destination Mars, Nearly Neptune, and Blast Off at Woomera (1957), which features another implausible plot as a 17-year-old kid is sent off to photograph the moon because of a feared communist plot. Having devoured those books, I moved on to Arthur C. Clarke, and his Islands in the Sky (1952), which also featured a teenage boy going up into space.

I then switched to Clarke’s more adult-oriented books, the most memorable being Childhood’s End and Clarke_Rendezvous_With_RamaRendezvous with Rama (1973), which at the time was Clarke’s most recently published novel. It lacks a proper plot, as much of his stuff does, but does manage to convey a sense of wonder at the (alien) technological sublime, which is another ongoing theme. Most recently, I’ve enjoyed Robert Charles Wilson’s take on it, with books like The Chronoliths, Spin, and Blind Lake.

My Clarke obsession was long enough ago that his novel Imperial Earth (1975) was published while I was in the midst of it. I turned 13 that year. But that novel was disappointing, as was his novelisation of 2001: A Space Odyssey, which might have been better left as the short story “The Sentinel”, which I had in one of the many short story collections I had accrued by then. These included his classic Tales From the White Hart, a fun collection of tall tales which gave me a taste for the playful side of science fiction.

I tried, around this time, to read some Isaac Asimov, but it never took. I never could read Asimov and only managed Heinlein in small doses.

A side trip to Durham to visit relatives led to me scoring a pile of interesting, more grown up, SF books from a distant cousin. I’ll forever be grateful to him, whoever he was, because he let me choose a bunch of stuff from his shelves, which I never was to return.

1255867Two of the most important of these were Larry Niven collections: A Hole in Space and Inconstant Moon (1973). The title story of the latter collection was an echo of Comet in Moominland, as a too-bright moon signalled a catastrophic problem with the sun to people on the dark side of the Earth, who realise they have just one night to live. These harder SF collections exposed me to ideas such as ramjets, time dilation, teleportation booths, and flash mobs. Another book in that particular grab bag was the very first World’s Best Science Fiction collection edited by Terry Carr. This included the canonical Harlan Ellison story “I Have No Mouth and I Must Scream” but more importantly gave me a taste for these annual collections. I raided the library for every one I could find, and in later years, when Gardner Dozois picked up the torch, I have made a point of buying his annual collection every summer.

The final taste-forming book of my teens was a gift received during a hospital stay when I was 16 or 17. This was the all-time classic Penguin Science Fiction Omnibus, edited by Brian Aldiss. There were more good stories in that one book than in any number of annual Best ofs, and it remains the best introduction to Golden Age science fiction.

Besides all this, the importance of Doctor Who and Star Trek were comparatively minor. When it comes to film and TV science fiction, my support is grudging at best. Only Alien really cuts the mustard from that era, and I mainly watched Doctor Who for the companions.

The Great Flickr Shitr

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The first picture I uploaded to Flickr, taken in July 2004

Flickr was one of the earliest social networks, starting in February 2004, and, among other things, pioneered the use of the hashtag, which later became a key part of the Twitter experience. It was a place where you could upload photos/descriptions, connect with other users, join groups, make comments, and create themed collections of your own photos.

I joined in July 2004, and it really felt like a small and friendly community in those days. Of course, it was hard to see how they would ever make money.

They were acquired by Yahoo in 2005, and the long downhill descent began. There are three things that Yahoo did that are variously upsetting and annoying.

The first was that they neglected it, allowing its performance to get worse, and were particularly slow to respond to the smartphone revolution. Even as the iPhone became the most ubiquitous camera used by Flickr photographers, the Flickr app experience was kludgy. As Instagram demonstrated how simple a photo sharing social network could be, Flickr’s was complicated and slow. Even today, if someone shares a photo from Flickr to Twitter, it loads extremely slowly, making for a poor user experience.

The second thing was that they tried to drive Flickr users towards Yahoo as a web portal at a time when the very idea of a web portal was becoming ridiculous. But Yahoo are an advertising company, and that’s what they wanted to do. So they loaded an ugly, clashing Yahoo menu bar at the top of the Flickr site, and they forced everyone to use a Yahoo log-in rather than their old Flickr log-in.

Which is when the problems began for me.

The third thing was that Yahoo did what all these tech companies do: they tried to avoid their user support responsibilities by pushing people towards forums, where the same questions get posted over and over again, with similar answers, and nobody ever gets helped, and the secret portal into actual technical support is hard to find and opaque. All of which is the inevitable result of a free service that clearly doesn’t stand a chance of making money through advertising and which becomes a white elephant, or a millstone hanging around the neck of a slowly dying corporation.

Yahoo is acquired by Verizon, Flickr slips further down the list of priorities, and more and more people find themselves in the same situation as me: unable to resolve the log-in, or successfully recover lost passwords. In 2013, Yahoo was hacked, and 3 billion user accounts were compromised.

Around the same time, my Flickr log-in and password corrupted in some bizarre way and went from being a recognisable email/password to being long strings of random characters.

Like this: 0753036973656d61dc27j2gs1s29h4g8

That’s not my own corrupted log-in, but mine was very similar, and so was the password. I mean, it’s not even an email address. In time, I was unable to get in at all, and after a fruitless run-in with Yahoo support, I ended up creating a new Flickr account so I could continue to upload pictures.

But it was never the same, and I was never happy, and I eventually stopped using the service.

Screen Shot 2018-05-03 at 20.54.00The screen grab left shows a sample of the many Flickr users who are having issues accessing their accounts.

My own problems were exacerbated by the way my Yahoo identities seemed to burgeon. When Yahoo acquired Flickr, I already had a hidden Yahoo identity, because my then-internet provider, BT, used Yahoo as the backbone for its “brinternet.com” email service. But somehow, I ended up with yahoo.com and yahoo.co.uk identities. Over time, and attempts to log into Flickr, these have expanded, and I now appear to have four distinct ways of logging into Yahoo. Four!

But here’s the thing. Every single one of them connects to the new/replacement Flickr account, and none of them will connect to my 2004 vintage Flickr account. So I have four Yahoo log-ins, and no way to get into my old Flickr. In my mind, at least one of the log-ins should resolve to the old 2004 account, but no longer does. So it’s an orphaned account, is what it is. There’s a case here for keeping hold of all of your old computers, phones, and other devices, because account details might be cached/stored. O for the iMac that used to be in the garage.

And it has been five years.

I’ve tried on a couple of occasions to get help from Yahoo. When I saw the news that Flickr is being sold to Smugmug, I thought it was time to try again.

Yahoo’s response is basically robotic. You give them the details of your account(s) and you still get a response along the lines of “I cannot find the account with the details you have given. Please give…”

I got exactly the same automated response as last time. Replying to their emails rarely elicits a human response. They send through a link to “security questions”, which ask you things you could only know if you had access to the account. It’s enraging, and obscure:

  1. Name five private groups or private albums on the account
  2. Give the date of the last charge in the format dd/mm/yyyy
  3. Name the 3rd party services that are linked to the account (apart from Facebook/Tumblr)

My response to (1) is, I don’t know, I haven’t been able to see inside the account for five years.

My response to (2) is, I don’t even know what this question is asking.

My response to (3) is, I don’t know, I haven’t been able to see inside the account for five years.

We went through this three times.

Each time, I replied to their email saying I didn’t understand and couldn’t possibly answer their questions. Each time, I didn’t get a response until I filled in something on the security page. Each time, I was then told that my responses were inadequate.

In the end, they refused to give me access to my account—but they did offer to delete it on my behalf. Consider the warped logic of that: no, we can’t verify your identity, but yes, we will delete all these photos that might not belong to you, because why not.

Meanwhile, I still have four different Yahoo log-ins that all give access to the wrong Flickr account. Meanwhile, I continue to receive communications to my secondary email address which are aimed at my original identity.

The only solution appears to be for me to click through 3,600 photos and manually download them, then add them to the other account, and try to live with the knowledge that the kudos attached to being a 2004 early adopter of this pioneering service is no longer mine.

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And this is probably my most popular Flickr photo, taken in 1998 but scanned in 2005

A few album reviews

There have been a few big releases in 2018, and more to come. I wish Sugarland would drop their comeback already, instead of drip-drip-dripping pre-release tracks (four so far). The biggest surprise for me so far is that I didn’t prefer Ashley Monroe’s Sparrow to Kacey Musgraves’ Golden Hour.

Ms Musgraves and Ms Monroe have been on the same release cycle since their debuts in 2013. So far, I’ve preferred Monroe’s releases: prefer her voice, her songs, her production – especially on The Blade, released in 2015, and which sounds terrific.

DbP9MieW4AEqehsBut now comes Sparrow, and I’m shocked to say, I don’t think I like it. I just relegated the opening track, “Orphan” from my phone’s playlist, and I never do that so early in an album’s life. But it sounds awful to me. Her voice sounds off key and whiny to my ears. I felt the same about the pre-released “Hands on You”. It sounds like someone struggling with their voice, struggling to hit those notes. Sounds like she has a cold, or is too tired. The same problem crops up throughout, on the chorus to “Mother’s Daughter”, for example. “Wild Love” starts off more promisingly, with some nice tremolo guitar, but then the strings kick in, and instead of the strong voice such production requires, you get this shaky, tentative, thin voice. In terms of music, the album sounds less soulful than The Blade, and there are more strings in the background. Maybe it will grow on me, but so far I’m disappointed.

Golden hour Kacey MusgravesMeanwhile, Kacey Musgraves has a solid hit in Golden Hour. Ironically, my criticism of her sound has always centred on her voice, which I think weak and limited for a country singer. But I think it actually sounds stronger this time around, and certainly doesn’t suffer from the problems afflicting Sparrow. There’s certainly an attempt here to take her across to the pop charts, but that’s merely to consolidate her popularity outside country circles. She’s broken through sufficiently in the UK to penetrate the obstinately retro UK iTunes country chart, which is usually wall-to-wall Dolly and Johnny with recycled compilation albums. Musgraves’ sharp witticisms are poignards thrust into modern relationships. Even now, weeks after its release, Golden Hour sits at number four.

And let’s not forget that Ms Musgraves’ (and Ms Monroe’s) breakthroughs are taking place in an industry where female artists still don’t get played on US country radio.

Golden Hour has a bright, modern sound, and of course Ms Musgraves’ voice is clear and pure, perfectly pitched for the songs she writes herself. And there’s nothing here to frighten the horses, a basic backing of drums and guitars with some modern keys. Yes, there’s pedal steel guitar, she’s not leaving the genre behind like Taylor Swift. But then there is “High Horse”, which marries her witty lyrics with dance beats and techno sounds. It’s a new Modern Sounds in Country Music, and a clear progression from her last release. Getting better.

AshleymcbrydeBut Ms Musgraves doesn’t win the prize for best country album of 2018 so far. That goes to Girl Going Nowhere by Ashley McBride, which kicks off with a simple song about being written off by friends and family, which when she performed this title track at the Opry a while ago brought the house down.

Elsewhere, Ms McBride trades in heartland rock, on the likes of “Radioland” and “El Dorado” – to the point that I wonder if Mr Springsteen has heard the latter, which reminds me of nothing so much as “Dancing in the Dark”.

Meanwhile there are more country sounding songs, such as “A Little Dive Bar in Dahlonega”, “Home Sweet Highway”, and instant classic “Tired of Being Happy”, all of which foreground the witty, self-deprecating lyrics that make country great.

black-berry-smoke-2018Finally, I was prompted to check out Blackberry Smoke by their collaboration with Amanda Shires on the track “Let Me Down Easy” on their new album Find a Light. With their classic guitars-drums-keys line-up, they’re classified under Rock, but if iTunes had a category for Southern Rock, this would be it. Lead vocalist Charlie Starr sounds like a slightly improved Ronnie Van Zandt, and the sound sits somewhere between Skynyrd (with fewer extended solos) and the Allmans (with few extended solos). “Flesh and Bone” isn’t the strongest album opening, but the next track, “Run Away from It All” kicks off the record properly, with driving guitars and heavy hits on the drums. Occasionally, as on “Medicate My Mind” and the aforementioned “Let Me Down Easy”, they pull out the acoustic guitars and sound more like Country Rock. They’re not reinventing the wheel, but sound like what they are: a road-hardened, hard working rock band. And given that I recently filled my Phone’s playlist with the first five Lynyrd Skynyrd albums, Blackberry Smoke certainly fit fit right into my life at the moment.

 

Bosch Season 4

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Angels Flight, Los Angeles

People learn. Huh.

One of the absolute worst aspects of (especially long-running) genre shows is that nobody ever seems to learn anything or develop as a character. One notable exception to this was NYPD Blue, one of the all-time-great network cop shows, which had an 11-season story arc for Any Sipowicz which transcended the limitations of the format.

So to Bosch in its 4th season, and a welcome return for Titus Welliver in the title role, Lance Reddick as the now Chief of Police Irvin Irving, Jamie Hector as Bosch’s ex-partner Jerry Edgar, Madison Lintz as Bosch’s daughter Maddie (given more to do this time around), and Amy Aquino as acting Captain of Hollywood Homicide division.

As before, the season combines the plotlines from several of the Bosch novels by Michael Connelly, in this case the principle storylines come from Angels Flight and 9 Dragons. There is a lot less to do with ongoing cases in court this time around, and much more investigating, with a background of political manoeuvring and protests against police brutality. As such, it feels quite zeitgeisty, though there is a bit less of the stunning cinematography of Los Angeles that characterised Season 1.

This time the principle LA location is the titular Angels Flight funicular railway, which was originally located in Bunker Hill, but has since reopened as a kind of simulacrum that operates as a kind of intermittent and often neglected tourist attraction.

The fallout from previous seasons continues, but while Bosch remains a focus of contempt from many of his colleagues (mainly because he refuses to treat being a cop like being a member of a corrupt club), the people who work with him (including Captain  Billets and Chief Irving) no longer even pretend that he’s anything other than the best investigator they have. In other words, they’ve learned from working with Bosch that he is not corrupt, unwavering in his pursuit of the bad guys, and usually arrests the guilty party. So as much as other cops and politicians complain about him, this time they let him do his job. So there’s a lot less of the you’re off the case nonsense that sometimes besets this genre.

While investigating the murder of a lawyer who was about to embarrass the police department in a lawsuit, Bosch also pursues the man he believes responsible for his mother’s death, and deals with the unexpected death of a close family member. He’s forced to work with a couple of Internal Affairs detectives as well as the antagonistic Jimmy Robertson (Paul Calderon) and his former partner Edgar, returning to the job after injury.

It’s another solid outing for Bosch, and I remain puzzled at the critical disdain/indifference this show receives. Sure, it’s a police procedural, but it is better than anything else in this genre right now.

I previously reviewed Season 1, Season 2, and Season 3.

April in Paris

April 2018 Paris - 12My wife was running the Paris Marathon, so we were in Paris (and environs) for the weekend. Our place in France is about 5 hours drive from Paris, but B has a cousin who lives in the ‘burbs, and they very generously put us up for the weekend, and ferried us to and from the RER station, so we could catch the train without worrying about parking etc.

The RER was more or less unaffected by the national strikes affecting the SNCF network, so there was no issue getting into town. The RER is a regional network of commuter trains, something like the DLR, I guess, though the trains are long double deckers, so you’re less likely to spend a whole journey on your feet than you are in England.

Saturday was the day for picking up the race number and after we’d done that, we had a bit of a walk around. I didn’t want to queue for anything, or pay for anything, so we did just that, apart from at lunchtime, when I overpaid for an undercooked gluten-free pizza at a restaurant that offered that speciality. (There are a lot of pizza restaurants in Paris, by the way.)

The first spot I was keen to see was the Île de la Cité, for the simple reason that it’s a key location in my favourite Tim Powers novel, Declare. I didn’t have an epiphany, though, so we had a look at the queue to get into Notre Dame Cathedral (these kind of places always make me think of Don DeLillo’s Most Photographed Barn in America* in White Noise) and then crossed the Pont Notre Dame (bloke playing an accordion? Check), passed the Hotel de Ville and walked to look at the Pompidou centre.

It was quiet at first, but as the day wore on, the streets and cafés became a lot more crowded. We’ve always been early morning people, quite out of synch with French habits. It was clear that, even on a Saturday, people didn’t rock into town until lunchtime (even then, sitting down for lunch later than in rural France), and then set out for serious sightseeing and shopping in the afternoon.

I won’t complain too much about the undercooked pizza: it’s by no means the first such I’ve eaten in France, so can’t solely be blamed on the glutard crust, which does typically require a longer cooking time. My other half had a salad that she enjoyed, and at least they did Vezelay gf beer.

After lunch, we wandered around the left bank’s narrow streets, stopping for a Coke when the amount of walking we were doing threatened to ruin the methodical Marathon preparations. 

When we visited Berlin, my phone recorded 60,000 steps for the 3-day stay, and Paris wasn’t quite that extreme. By Saturday’s end, I’d walked 10km, had done nearly 16,000 steps. Given that B does about 1.5 for each one of mine, she was on 24,000. These prosaic details are what such visits are built upon. You either stand around in queues, sit around underground, or put in the miles. I always put in the miles.

Which is what I did on Sunday, with about 5 hours to kill while B ran the race. I checked in on her at 26km (near the Jardin des Tuileries), and then timed my arrival at the finish to coincide with hers. She took it easy, enjoyed the views, and suffered a lot less than she did for the London run last year.

Meanwhile, I walked from the Arc de Triomphe to the Paris Opera, and then down to Les Halles shopping centre. The streets were eerily quiet: a lot of the traffic had been cut off by the street closures, and I guess a lot of people were avoiding the area anyway. By the afternoon, Paris was back to its horn honking, impatient, irrational self as far as traffic was concerned. But I had the pleasure of crossing nearly deserted streets against the lights and enjoying the city as it ought to look more of the time. I’m a big proponent of banning motor vehicles from city centres altogether. There were bikes for hire all over the place, including those Chinese ones that just get left anywhere. I was tempted to download the app and use one, but I felt more confident navigating on foot, and didn’t want some dodgy bicycle hire company having access to my bank account.

I knew I’d need the loo at some point and also that France is extremely reluctant to provide decent public toilets, so my day revolved around arranging a couple of expensive pees. This started with the withdrawal of some cash, which was quite an operation. My wallet was zipped into one of the two rucksacks I was carrying, and I didn’t want to faff around with it while I was at the cashpoint itself, so I did all that down the street and across the road, and then wandered over to withdraw the money. The majority of people around at this time seemed to be shambling wrecks, people who looked through bins and talked to themselves, or yelled incoherently at passers by. This is not to say that Paris has more of a homeless problem than anywhere else. In fact, you can see more street people on a visit to Belfort than I did in Paris.

Two €10 notes weren’t going to get me a wee, so I then had to make change. Once I reached Les Halles, I found the target toilets: 50¢ entry, but nice and clean. Around the corner was a Starbucks, so I went and got myself a big Americano. What was I thinking, going to a Starbucks, underground, in the city of a million cafés? Well. No reason. But I sometimes can’t be doing with the faff of table service, and since I was on my own, I wasn’t obliged to. Also, shipmates, as bad as Starbucks coffee is, the French can’t make a decent espresso either, so let’s not pretend those pavement coffees are worth having. And, no, I didn’t want to sit on my own at a corner café. Instead of meeting an intriguing woman in that romantic setting, I was more likely to be approached by a dreadlocked homeless person.

Having filled up on the Americano, I pissed it away for 50¢, which felt like money well spent.

I then walked down the Seine to kilometre 26, waved at my wife, and then wandered into the Tuileries, waved at the Louvre pyramid, and found a place to sit down to eat some lunch.

I probably went for the second pee too early. But I needed to get across to the Avenue Foch for the fucking finish, so I paid 80¢ for the privilege of pissing near the Place de la Concorde. And set off along the Seine again. The closest I got to the Eiffel Tower was the Palais de Tokyo, from where I set off up the hill and down again to the crowded finish line.

I was there about 20 minutes before my other half. The grass was damp, so I sat on her pre-race jumper, which I’d had permission to throw away if it became too burdensome.

Sunday step total: 21,428

Saturday: 15,994

Total: 37,422

Total spent to pee: €1.30

Sights seen: lots.

Seine-side joggers who were visibly irritated by the presence of Marathon crowds: 3.

*Nobody sees the barn.