That’s not the only way I find new music, but it’s a fairly reliable barometer in the absence of the UK iTunes store doing anything to update itself. Anyway, here are my recent adds.
- Donovan Woods – Hard Settle, Ain’t Troubled. Got this because of his song “Portland, Maine”, covered by Tim McGraw. He’s a great songwriter with a voice that doesn’t match his face. Sounds are Americana-standard, acoustic in the main.
- Amanda Shires – Carrying Lightning. Discovering new music on iTunes is hard, partly because of the problem of categories. They have a Country section (not regularly updated) and a Singer/Songwriter section, but there is no Americana (or alt-country) and no Folk or Folk-Rock. There is plenty of music that would fit in either of these categories. Anyway, Amanda Shires Isbell (married to the similarly hard-to-discover Jason Isbell) kind of sways between Country-Americana and Singer-Songwriter. Pretty good.
- Keith Urban – Ripcord. Keith Urban has made a reappearance on UK iTunes after a gap where several albums weren’t even given a UK release. This one is fairly standard: rock-pop/country with some decent guitar. His voice is limited: with the right song, it’s perfectly fine, but when he strains for those emotions he sometimes seems, well, strained. The standout track on this is “John Cougar, John Deere, John 3:16” which is a hooky little number on which Urban plays lead bass.* I can’t stop playing it
- William Bell – This is Where I Live. This was a Twitter recommendation. A radio producer I follow got an early listen of this (it’s not properly out yet) and named it the album of the year. You can get three tracks now, and the rest should drop by the end of the week. It’s a soul record in the classic style, a throwback to 60s song values with 2016 production values. This is the one I’d be slipping into playlists and mixtapes if I still did that sort of thing, ahem.
- Brandy Clark – Big Day in a Small Town. The best songwriter of the “class of 2013”, Brandy Clark’s follow up to 12 Stories is bigger in every way. This new outing features some powerful songs, including the jaw-dropping “Daughter”, which basically wishes a daughter upon a cheating, lying male in the name of karma: so he can watch her get her heart broken by men like him. You think you’ve heard it all, and then this. Essential listening.
- Imogen Clark – Love and Lovely Lies. Another hard-to-discover artist. This one I came across when she guested on a podcast (My Favourite Album). At just 8 tracks and 35 minutes, this album is a proper throwback to the golden age of albums, when they were almost all about this long. Another artist with a strong voice and punch-packing songs, don’t be fooled by her appearance into thinking this is going to be some kind of folky background muzak.
- Larkin Poe – Reskinned. The Lovell sisters seem determined to leave their folk-country roots behind them. So much so, that they’ve remixed and revamped their album Kin, changing some of the tracks and giving the whole thing a harder, rock-stomping edge. If you follow them on Twitter or Facebook you’ll know that they’re both shredding like mad these days and Rebecca has started playing a Strat through a Big Muff distortion pedal. Talk about trying to reposition yourself in the market: unfortunately, these brilliant 20-something musicians will still find themselves staring at an audience of grizzled, balding 50-somethings, because those are the people who go to (non-festival/arena) gigs.
- Frankie Ballard – El Rio. Frankie Ballard’s latest is a real step up in quality from his previous release (2014’s Sunshine and Whiskey). The songwriting is better, and his gravelly but versatile voice is the one Keith Urban wishes he had. You can hear the influence of Bob Seger on the whole record (plus there’s a cover of “You’ll Accompn’y Me”). This is a really enjoyable album packed full of decent songs, like “El Camino”, “L.A. Woman” and “It All Started With a Beer”. Great for a road trip.
- Smithfield – Smithfield. This is on Rolling Stone’s July list. Another 8-tracker, these guys are like the new Sugarland or something, which, in the absence of Sugarland, will do.
- Anthony D’Amato – Cold Snap. Another one from the RS list, I’ve only played this through once but like it a lot. (Almost) like Frankie Ballard, this is country rock via the Jersey Shore. Where Ballard takes his influence from Detroit (Seger), you can hear Springsteen here, but also Ryan Adams, and Tom Petty references, if you like that sort of thing – and who doesn’t?
- Sarah Shook and the Disarmers – Sidelong. Another RS recommendation, this feels more like a punt for me. I’m thinking this is cowpunk, in the vein of Lone Justice. With songs titled “Dwight Yoakam” and “Fuck Up,” this can’t be wrong, can it?
- Lucie Silvas – Letters to Ghosts. Finally, this is a British-born, New Zealand-raised country artist who has (for whatever reason) waited years between album releases. Again, I’ve barely listened to this, but the title track is excellent, and it finishes with a spooky cover of Roy Orbison’s “You Got It”, which shows good taste, if nothing else.
*For non-religionists, like me, I looked it up. This verse is the one that basically summarises the new testament in a line: “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.”