While not ever quite reaching the heights of his very best work, RCW has been putting out a book every year or so that is readable, interesting, and entertaining. If you offered me, say, something of the quality of Spin or The Chronoliths every two or three years; or something decent like The Affinities or Burning Paradise on a more regular basis, I’d have to think hard. Wilson’s stock in trade is the technological sublime: a technology that humans do not quite understand that nevertheless has profound influence on human culture. In Last Year, the technology is The Mirror, a kind of time portal that allows you to visit the past of a world that is similar to your own, but not the same world (so that any changes you introduce do not affect your own time line).
What’s it about? The attempted assassination of Ulysses S. Grant, transtemporal gun smuggling, horses and helicopters, tasers and tong wars, the luxury resort industry, two Gilded Ages in a violent confrontation, and the nature of time itself.
This allows Wilson to take us into Julian Comstock territory, with a protagonist who is an 1870s drifter, whilst mixing in 21st century types such as a security chief who is both a US army veteran and a woman; or an Elon Musk (or is it Donald Trump) type leader who seems okay at first but later reveals his true nature.
The City of Futurity appears in the mid-western 1870s, offering locals a tour of the attractions in the world to come (amid tight security preventing actual time travel) and visitors from the 21st century a vacation in the Gilded Age, the post civil war United States, a country on the eve of electricity, the phonograph, radio, and moving pictures. Except, spoilers: anything the 19th Century can produce pales into insignificance next to the wonders on display in Tower Two.
Some locals are hired to work security, including Jesse Cullum, a man on the run from his violent and traumatic past in San Francisco. Cullum inadvertently comes to the attention of his bosses as being especially competent, and he’s given additional duties: tracking down smuggled contraband (Glock handguns, iPhones and solar chargers) and chasing runners: people from the 21st who decide they want to live in the land of no indoor plumbing and no antibiotics.
Jesse is partnered with Elizabeth DePaul, former soldier, single mother, and they explore each other’s worlds, cautiously but earnestly, knowing there’s no future in it. She comes from a different timeline; he’s got a past.
Someone goes missing; someone starts sending messages to downtrodden groups, informing them of the shitty deal they’re about to get from history, and it all kicks off.
Is there a metaphor here? Twin towers representing the future and commerce, aligned against forces of superstition, bigotry and ignorance. Is there hope in the future? Can we overcome our own histories and find a better world?
Hard to put down, I finished it too quickly (as usual), and now I guess I’m waiting for something coming out in 2018